Tag: women’s poetry

Literary Criticism

Excerpt from “Reading Alice Fulton’s Barely Composed” – Essay on “Triptych for Topological Heart”

 Fulton leverages this episteme in the sonnet trio, “Triptych for Topological Heart,” to illustrate Western culture’s transition from classical religious dogma to new age secularism. The scientific theory of “topological psychology” describes the plasticity of human behavior and its propensity to adapt itself to a given environment. A significant part of this adaptation is the dominating role of concrete science over the increasingly subsidiary position of the closed-loop systems of myth and ideology.

Literary Criticism

Reading Ange Mlinko’s Marvelous Things Overheard

Ange Mlinko’s new book of poetry, Marvelous Things Overheard, expresses our contemporary experience by way of micronarratives, using poetry’s familiar lens of myth, fable, and anecdote, and overlaying these with the received “truth” of the arts, science and technology as they are filtered through our national experiences and family histories. The psychological perspective, one that Mlinko surely sees as uniting us with ancients, discloses an unsettling arrhythmia at the heart of our existence in the modern world.

Literary Criticism

Fran Lock – Flatrock

Flatrock is a very impressive first book by any standard. Its reeling portraits of lower class life hearken to the rough speech, coarse sentiments and unapologetic sexuality of Emile Zola’s Germinal or Erskine Caldwell’s Tobacco Road by employing neo-romantic realism and social comment to create an exciting visceral experience for the reader. Ms. Lock’s voice, by turns perceptive, witty and tart, and yet still capable of great tenderness, is remarkably consistent throughout, . . .